The main question pursued in this paper is how power is performed and manifested in some of the dramatic texts by post-colonial African writers. especially in the infamously dictatorial contexts such as Kenya. A corollary question raised is how the politically minded dramatist survives. and what indeed are the dramatic ingredients that have made for perishing. https://www.chiggate.com/3m-speedglas-9002nc-welding-helmet-fashion/