When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion. This video was posted to https://damienaqsuv.blogdiloz.com/30465342/um-imparcial-view-of-lo-fi-coffee-shop